Personal Direction Project 2


Personal Project 2 Intention
   I intend to reveal and conceal the sexual roles gay men play. My icons are used as a way to communicate openly, without being to explicit for now. I want the work to reveal to an audience that understands through virtue of knowing.


                       Personal Project 2 Intention Revision 
   I intend for my Icons to reveal and conceal the gay identities, particularly in ones sexual role. My icons are formalized to communicate openly, without being too explicit and keeping a level of sophistication by using different animals. I want the icons to reveal to an audience that understands through virtue of knowing, creating a secret code within this society. I use the different traditions, protocols, values, rituals, ceremonies, and lifestyles within the homosexual males culture. My intention is to illuminate some of the historic social treasures thats been lost. Building and creating a new foundation that is much stronger, and more stable than the previous attempts. Absorbing as much of the past to present time ideas as possible, by combining them into a well constructed base for a future collection of work. My concentration is to present a structure using disambiguation for the foundation of the body of work. Ones that I can use  for a long time to come.


1)  What is your intent with the work? To build a foundation of icons to be the bases of a secret code in my work to reveal and conceal an identity.
2)  How well does the completed work meet your intentions? I am really happy with the final icons that I have come up with, but the presentation or kinks by not knowing illustrator. 
3)  What about the work didn't hit the mark, or meet your intentions? The presentation and kinks by not knowing illustrator after finding out it was impossible to achieve what i wanted with photoshop.
4)  What is the next work's focus? My icons are the start to my own brand called Freaux Eternity. Producing work using printmaking techniques and the 3d printer. 
Final Feedback from Critique